\u00a9 Photos courtesy of Norman Vaughan<\/span><\/i><\/p>\nVideo of the recording session:<\/h3>\n<\/div>\n<\/header><\/h3><\/div>
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March 28, 2016<\/p>\n<\/div><\/div><\/div>
![\"\"](\"https:\/\/spacehasen.com\/wp-content\/uploads\/2021\/11\/bpe_x.jpg\" "\\"bpe_x\\"")
<\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div><\/a><\/div><\/div>Bernhard Philipp Eder and the Tonzauber Studio Orchestra at the recording session in the Tonzauber Studios (Vienna Konzerthaus).<\/p>\n
The search for suitable music began at a very early stage of the Spacehasen project with high demands on the composer – after all, he was supposed to orientate himself on compositions by Erich Wolfgang Korngold, Mikl\u00f3s R\u00f3zsa, Jerry Goldsmith and John Williams.<\/p>\n
In 2012 Clio Montrey composed the first musical impression for clarinet, bass clarinet, horn, harp, violin and double bass based on a still very vague plot. A version for cello and piano followed in 2014 (released digitally as: “Clio Montrey, Spacehasen, feat. Liina Leijala”).<\/p>\n
For scheduling reasons, Bernhard Philipp Eder was commissioned with the composition in 2015. When I heard a first taste of his talent, the recordings for his latest film score “Daydreamer”, I was completely convinced that Bernhard would be up to the task.<\/p>\n<\/div>
\u00a9 Photos courtesy of Norman Vaughan<\/span><\/i><\/p>\nVideo of the recording session:<\/h3>\n<\/div>\n<\/header><\/h3><\/div>
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